Choose by the job

One XLR microphone

A single-input interface can complete one microphone path, provided gain and any phantom power requirement are met. Count physical preamps, not just software channels.

Two local voices

Scarlett 2i2, Wave XLR Pro and RØDECaster Duo offer distinct two-input workflows. Confirm headphone destinations and your recording-channel assignments.

Microphone plus HDMI

Streamer X combines capture and audio roles. That can remove a box, but its USB and HDMI requirements still apply separately.

Guest return without echo

Mix-minus is a routing condition. Confirm which output excludes the guest; a loopback feature alone does not establish it.

Hands-on headphone control

Count independent headphone mixes as well as headphone sockets. Two connectors can still carry the same mix.

Existing USB microphone

A USB microphone ordinarily connects to the host directly. Buying an XLR interface does not transform its USB output into an analog microphone input.

Compare the current models

5 models. Compare the connections and modes your setup needs, then read the profile for cables, mounts and limitations.

Decision fieldElgato Wave XLR MK.2Elgato Wave XLR ProFocusrite Scarlett 2i2 4th GenRØDE Streamer XRØDE RØDECaster Duo
Inputs1 XLR microphone2 XLR; 3.5 mm stereo line2 microphone preamps; 2 line/instrument inputsXLR/TRS mic or instrument; 3.5 mm TRRS headset; RODE Series IV wireless; HDMI audio2 mic/instrument/line combo inputs; 1 TRRS headset I/O; RODE USB microphone support
Outputs3.5 mm headphone; USB-C host2 headphones; 3.5 mm stereo line; USB host; USB aux2 line outputs; 1 headphone output3.5 mm TRRS headset; 1/4-inch headphone; USB2 headphone outputs; Balanced monitor outputs; USB interfaces
Preamp gain (dB)8080697676
48 V supplied48 VYes48 VYesYes
Direct monitorYesYesYesYesYes
LoopbackYesNot confirmedYesNot confirmedYes
Mix-minusNot confirmedNot confirmedNot confirmedYesAvailable on both USB interfaces
Connector3-pin XLR; USB-C; 3.5 mm headphoneUSB-C; XLR; 3.5 mm TRS; 6.3 mm TRSUSB-C host; 2 XLR mic; 2 1/4-inch line/instrument; 2 1/4-inch line out; 1 1/4-inch headphoneHDMI 2.0 input; HDMI 2.0 passthrough; 2 USB-C; XLR/TRS combo; 3.5 mm TRRS headset; 1/4-inch headphone2 XLR/TRS combo; 3.5 mm TRRS headset; 2 USB-C data; Dedicated USB-C power; Ethernet; 2 1/4-inch headphone; 2 1/4-inch balanced line out
ProtocolUSB 2.0USB 2.0 High-Speed host; USB 2.0 Full-Speed auxUSB 2.0Not confirmedNot confirmed
Host OSWindows 11+; macOS 14.2+Windows 11+; macOS 14.2+Windows on Intel, AMD or ARM64; macOS on Intel or Apple siliconWindows 10 version 1803+; macOS 11+ for RODECaster app; macOS 12+ for UNIFYWindows 10 version 1803+; Windows 11; macOS 10.15+
Included partsWave XLR MK.2; USB-C to USB-C cable, 150 cm; Quick Start GuideUSB-C cable (150 cm); Quick Start GuideScarlett 2i2 4th Gen; 1 m USB-C to USB-A cableStreamer X; SC27 USB-C cable; Power adapterRODECaster Duo; Power adapter; SC27 USB-C to USB-C cable
Main checkIts single microphone preamp suits one XLR speaker. Choose an interface with two independent mic inputs when two people need separate gain controls.Connect the streaming computer to the USB host socket. Reserve the auxiliary USB connection for the second device and assign each return separately.Loopback alone does not remove a guest’s voice from their return. Build a separate mix-minus route before using remote guests, or choose a mixer with that routing available.Set capture output separately from the display passthrough mode. Configure the audio returns before going live so HDMI audio and computer loopback do not reach OBS twice.Assign the stream, headphones and guest return explicitly. Exclude the guest’s own voice from their return, then record a call to check the mix before going live.

*A maximum mode is conditional on software, host bandwidth and color format. Resolution, HDR and frame-rate maxima must not be combined without the exact mode matrix.

Where each model fits

Three limits of this comparison

  1. Published preamp gain does not establish audible noise performance in your room.
  2. Routing capabilities must be configured in the exact current software and OS.
  3. These are mixed interface and production-console categories; the smallest sufficient role is the relevant comparison.

Keep existing equipment separate

Current recommendations and owned legacy products answer different questions. An older device can remain useful in a documented, tested setup. It is kept in the owned-gear builder, while this table uses the current catalog. Colorways are not separate recommendations, and a new generation does not inherit the previous model’s exact requirements.

For a complete connection plan, open the audio routing builder. The result should resolve the missing port, route or capability before it sends you to a merchant.

Sources