The short answer
For left and right from one USB microphone: Logitech G Yeti, HyperX QuadCast S or HyperX QuadCast 2 S, each set to its Stereo pattern. For the quietest capsule under a whisper: RØDE NT1 5th Generation, over USB or XLR.
Then turn off what is made for talking. A noise gate and noise suppression are there to remove the small sounds around a voice, and in ASMR those small sounds are the show.
Stereo from one microphone
A microphone in a stereo pattern records a left and a right channel, so a tap or a brush on one side of it is heard on that side through your viewers’ headphones. Face the front of the microphone and work on both sides of it, at the same distance.
- Logitech G Yeti: four patterns, Stereo among them, over USB, with a headphone socket on the microphone.
- HyperX QuadCast S: four patterns including Stereo, over USB.
- HyperX QuadCast 2 S: the same four patterns, Stereo included, over USB.
The quietest microphone for whispers
A whisper sits close to the microphone’s own hiss, so its self-noise matters more for ASMR than for talking. Makers print it in different units, so compare only like with like:
- RØDE NT1 5th Generation: 4 dBA, an acoustic figure and the lowest we list. It has one channel (cardioid), works over USB on its own and over XLR with an interface that gives 48 V phantom power.
- Audio-Technica AT2020: 20 dB SPL, the same kind of figure, so noisier than the NT1. XLR only, with phantom power from an interface.
- HyperX prints the QuadCast S as ≤ -95 dBFS and the QuadCast 2 S as below -80 dBV: digital and electrical figures that do not convert to the acoustic ones above, so they rank only against figures in the same unit.
Leave the voice filters off
OBS’s noise gate closes the microphone whenever the level falls below its close threshold, and a whisper or a soft tap sits below any threshold set for a speaking voice. Noise suppression is tuned to keep a voice and lower the noise around it, and it can take soft taps and rustles for that noise. For ASMR, start with no filters: set the gain so your loudest sound stays out of the red, and add a limiter last only to catch a sudden peak. OBS audio filters for your microphone explains what each filter does.
Your room is part of the sound
A computer fan, a fridge or traffic sits at the same level as a whisper, and raising the gain raises them with it. Run the microphone test in silence first: it measures the room’s own level, the floor every quiet sound has to clear. Move the computer away from the microphone, or point the microphone’s back at it.
Check left and right before you go live
Stereo only works if your own headphones play left on the left. Check them in the headphone test, then tap the left side of the microphone and listen: if the sound comes from the right, the channels are swapped somewhere between the microphone and OBS, and every viewer hears your stream mirrored. In OBS, set Settings → Audio → Channels to Stereo, and leave Mono unticked for the microphone in Advanced Audio Properties, or both sides arrive in the middle. Record a minute in OBS and play it back on headphones before your first stream.
Equipment for these connections
Start with the kind of gear you’re missing, and read its full profile before adding it to your setup.
A USB condenser with four pickup patterns, gain on the microphone and a zero-delay headphone socket
Logitech G Yeti
Its USB audio tops out at 16-bit, 48 kHz, and as a condenser it hears the room: use the cardioid pattern for one voice and speak from close in. The other three patterns take in more of the room by design.
Connections & full profile →View at Logitech G ↗A USB condenser with four pickup patterns, tap-to-mute and RGB lighting
HyperX QuadCast S
For one voice use cardioid and stay close; the stereo and omnidirectional patterns hear the whole room. HyperX’s newer QuadCast 2 S records at a higher resolution.
Connections & full profile →View at HyperX ↗A USB condenser microphone with four pickup patterns, tap-to-mute and a shock mount
HyperX QuadCast 2 S
For one voice, use the cardioid pattern and keep it close: the omnidirectional and stereo patterns take in the whole room by design.
Connections & full profile →View at HyperX ↗A studio condenser with both an XLR output and a 32-bit float USB output
RØDE NT1 5th Generation
Very sensitive and side-address: speak into its side, in a quiet, treated room. On the XLR route the interface must supply 48 V phantom power.
Connections & full profile →View at RØDE ↗An XLR studio condenser for a quiet, treated room
Audio-Technica AT2020
It needs 48 V phantom power from the interface, plus an XLR cable and a stand. As a sensitive side-address condenser it hears the room; a dynamic suits a noisy desk better.
Connections & full profile →View at Audio-Technica ↗Sources
- Logitech G Yeti product page and specifications
- HyperX QuadCast S product page and specifications
- HyperX QuadCast 2 S product page and specifications
- RØDE NT1 5th Generation product page and specifications
- Audio-Technica AT2020 product page and specifications
- OBS Studio 32.2.2 source: noise gate filter defaults and behaviour
- OBS Knowledge Base: Filters Guide
- OBS Studio 32.2.2 source: audio Channels setting and the Mono checkbox in Advanced Audio Properties